by Dr. Ceylon Mitchell II | Sep 15, 2024
Members of the Raíces Negras chamber music collective celebrate innovative and prominent American women composers of the 20th and 21st centuries. Spotlighting the flute, cello, and piano, each work explores an element of nature and the spirits that dwell within, ranging from the Negro spirituals in Undine Smith Moore’s “Afro-American Suite,” the motions and gestures of the beach in Tania León’s “Sands of Time,” a day in the life of the Papua New Guinean rainforest in Elisenda Fábregas’s “Voices of the Rainforest,” or the avant-garde timbral illusions and mythical imagery of Clarice Assad’s world-premiere commission entitled “Flight of the Fairies.” Within these musical works, audiences will discover and enjoy the worldly and otherworldly soundscapes these composers can elicit.
by Dr. Ceylon Mitchell II | Sep 14, 2024
Explore the imaginative and intriguing melodies of Brazilian choro with an evening celebrating the genre’s most influential composer, Alfredo da Rocha Viana Filho, also known as Pixinguinha. Alongside a remarkable guest ensemble, faculty member Ceylon Mitchell guides us through this Afro-Brazilian genre as we sample some of the most famous choros composed by Pixinguinha and his contemporaries.
Location: Levine Music DC Campus: NW + Online
Free for Levine Students
About Brazilian Choro
Choro emerged as a distinct musical genre around the middle of the 19th Century in Rio de Janeiro as a blend of Afrodiasporic and European musical styles in newly independent Brazil. Syncopated rhythms from Africa and popular dance forms from Europe (the polka, habanera, and more) melded together to create a unique new style, which often gives the lead and highly ornamented melody to the flute, harmonically supported by guitar and cavaquinho. Percussive accompaniment often comes from the pandeiro, a Brazilian frame drum similar to a tambourine. Though choros are frequently instrumental and improvisatory, they do feature lyrics from time to time.
- Ceylon Mitchell, flute
- Seth Kibel, sax
- Pablo Regis de Oliveira, cavaquinho
- Felipe Garibaldi, guitar
- Lucas Ashby, percussion
- André Coelho, percussion
by Dr. Ceylon Mitchell II | Jun 8, 2024
Members of the Raíces Negras chamber music collective celebrate innovative and prominent American women composers of the 20th and 21st centuries. Spotlighting the flute, cello, and piano, each work explores an element of nature and the spirits that dwell within, ranging from the Negro spirituals in Undine Smith Moore’s “Afro-American Suite,” the motions and gestures of the beach in Tania León’s “Sands of Time,” a day in the life of the Papua New Guinean rainforest in Elisenda Fábregas’s “Voices of the Rainforest,” or the avant-garde timbral illusions and mythical imagery of Clarice Assad’s world-premiere commission entitled “Flight of the Fairies.” Within these musical works, audiences will discover and enjoy the worldly and otherworldly soundscapes these composers can elicit.
by Dr. Ceylon Mitchell II | Jan 21, 2024
On Saturday, February 17th at 11:00 AM, Dr. Ceylon Mitchell (flute) and Dr. Felipe Garibaldi (guitar) perform duo works by Brazilian American Clarice Assad, a Grammy nominated composer renowned for her evocative colors, rich textures, and diverse stylistic range. “Tríptico (Triptych)” is a three-movement suite inspired by popular Brazilian rhythmic concepts such as frevo, choro, and canção. “As Cores de Tomie” is a collection of four songs inspired by works and concepts of Japanese-Brazilian artist Tomie Ohtake (1913-2015).
by Dr. Ceylon Mitchell II | Mar 21, 2023
Joshua Jenkins has been playing the piano since he was seven years old and began performing in public at the age of twelve. A proud alum of the Duke Ellington School of the Arts, he holds a Bachelor of Music from Temple University, where he also majored in Spanish. Alongside fellow Ellington students, he performed on stage at the Kennedy Center and Strathmore Music Center with such artists as Ledisi, Patti LaBelle, and Sting. While studying in Philadelphia, he gave various classical solo and chamber recitals and worked with several jazz ensembles.
An ever-growing multi-instrumentalist, Joshua studied pipe organ for several years under the tutelage of organist Clyde T. Parker, having performed numerous times on this instrument at People’s Congregational Church in Washington, DC. Joshua was the Jazz Ensemble Director of CAAPA (the Coalition for African Americans in the Performing Arts) from 2018 to 2020. He has a keen interest in Afro-Cuban drumming and has visited Cuba several times to conduct research and take lessons.
Supported in part by Daniel & Sarah Gallagher♪, HelenLouise Pettis♪, and Tina & Arthur Lazerow
♪Strathmore graciously thanks our Artist in Residence Champions for their multi-year commitment and above-and-beyond support to the AIR program.
Learn more about the AIR program and the Class of 2023.
